Faceless Nativity Scene in Brussels Faces Backlash Over Tradition

A newly unveiled Nativity scene in Brussels has ignited significant controversy, prompting criticism from various quarters who label it a departure from traditional Christian values. The installation, which features faceless figures crafted from recycled fabrics, was presented by the Brussels city government on November 28, 2025, at the Grand-Place, a historic market square in the Belgian capital.

According to the Brussels city government, the previous Nativity scene had fallen into disrepair, making it challenging to transport without risking damage. In response, Philippe Close, the Mayor of Brussels and a member of the Socialist Party, commissioned the design from the Cathedrals of St. Michael and St. Gudula. The design was created by local artist Victoria-Maria, who aimed to reflect an “inclusive mix of all skin tones” through a patchwork of beige and brown fabrics.

Critics, including Belgian Senator Georges-Louis Bouchez, have voiced strong disapproval, claiming that the installation undermines Christian heritage. Bouchez stated, “This nativity scene is terrible and an insult to our traditions,” and called for its removal “immediately, or at the latest for next year’s edition.” He compared the faceless figures to “zombies at Brussels stations,” emphasizing his belief that such representations erode cultural values in favor of misguided inclusivity.

Bouchez further argued that the motivations behind the design may stem from a desire to avoid offending Brussels’ substantial Muslim population, stating, “In Islam, the faces of prophets are not depicted.” He questioned the decision to prioritize this viewpoint over traditional Christian practices, suggesting that it imposes a “hierarchy on religions in favor of the least tolerant one.”

The debate surrounding the Nativity scene has highlighted broader societal tensions. Critics argue that the push for inclusivity often leads to an erosion of established traditions. Bouchez asserted, “An inclusive society is one that brings people together — and Christmas is THE holiday that does that.” In contrast, he expressed concern that the current installation fails to respect the values it purports to celebrate.

In a statement from the Mayor’s office, it was mentioned that the city hopes to maintain the new Nativity scene for at least five years. Nevertheless, the controversy surrounding its design continues to dominate discussions among residents and officials alike.

On a related note, the unveiling of the Nativity scene was marred by an act of vandalism, as the head of baby Jesus was reported stolen shortly after the installation.

This situation underscores the ongoing dialogue around cultural representation and the complexities of balancing inclusivity with respect for tradition. As discussions continue, the outcome of this controversy may shape future public displays of cultural and religious significance in Brussels and beyond.