Lifestyle
Frida Kahlo’s Painting Set to Fetch Record Price at Auction
Frida Kahlo’s iconic painting, “El sueño (La cama),” is poised to make history with an estimated auction price between $40 million and $60 million. If successful, this sale would establish it as the most expensive artwork by a female or Latin American artist. The auction is scheduled for November 20, 2023, at Sotheby’s in New York, following exhibitions in London, Abu Dhabi, Hong Kong, and Paris.
Kahlo’s work continues to captivate art historians and collectors alike. “This is a moment of a lot of speculation,” remarked Helena Chávez Mac Gregor, a researcher at the National Autonomous University of Mexico (UNAM) and author of “El listón y la bomba. El arte de Frida Kahlo.” In Mexico, Kahlo’s works enjoy protection as artistic monuments, which prohibits their sale or destruction within the country. Nevertheless, the painting in question is part of a private collection abroad, making it eligible for international sale.
Artistic Significance and Cultural Context
Created in 1940, “El sueño (La cama)” reflects Kahlo’s experiences following her trip to Paris, where she encountered surrealism. Contrary to popular belief, the skull depicted in the bed’s canopy is not a Day of the Dead skeleton but rather a cardboard effigy of Judas Iscariot. Traditionally used during Easter celebrations, this figure symbolizes purification and the ongoing struggle between good and evil. Kahlo infused the painting with intricate details, including firecrackers and flowers, inspired by a cardboard skeleton she kept in her own bed.
Kahlo’s health struggles significantly influenced her art. “She spent a lot of time in bed waiting for death,” noted Chávez Mac Gregor, highlighting the complex life she led amid various physical challenges. Although Kahlo interacted with surrealists, including André Breton, she did not identify as part of their movement. Her work contains surreal elements, addressing themes of inner worlds and personal freedom, which are evident in her distinctive depictions.
The Auction Landscape and Gender Disparities
“El sueño (La cama)” was last publicly exhibited in the 1990s, and following its auction, there is a possibility it may again vanish from public view, a fate shared by numerous high-value artworks. Kahlo’s previous record sale occurred in 2021 when “Diego y yo” fetched $34.9 million. This painting, which features both Kahlo and her husband, muralist Diego Rivera, is currently housed at the Museum of Latin American Art in Buenos Aires, thanks to its acquisition by Argentine businessman Eduardo Costantini.
Art historian Cuauhtémoc Medina expressed concern over the trend of “crazy-priced” purchases that reduce art to mere economic commodities. He warned that artworks bought primarily as investments often end up isolated in tax-free zones, depriving the public of their cultural significance.
The current record for a female artist’s sale is held by Georgia O’Keeffe, whose “Jimson Weed/White Flower No. 1” sold for $44.4 million in 2014 at Sotheby’s. Despite this milestone, the auction market still reveals a stark disparity; no female artist has surpassed the highest sale price achieved by a male artist, exemplified by Leonardo da Vinci’s “Salvator Mundi,” which sold for $450.3 million in 2017.
As the art world anticipates the outcome of this auction, the sale of “El sueño (La cama)” underscores ongoing discussions about the valuation of art, gender equity in the marketplace, and the cultural heritage of iconic artists like Frida Kahlo.
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