Chicago Symphony Orchestra Thrills with Berlioz Under Mäkelä

URGENT UPDATE: The Chicago Symphony Orchestra (CSO) delivered a captivating performance of Hector Berlioz’s masterpieces, including the renowned Symphonie fantastique, on Thursday evening, marking a significant moment in its early 2025-26 season. Under the baton of Klaus Mäkelä, the orchestra’s music director designate, this concert not only showcased the ensemble’s talent but also hinted at the exciting future of the CSO leading up to Mäkelä’s full tenure starting in September 2027.

The concert, the first of three, featured a heavyweight program designed to highlight both Berlioz’s innovative compositions and Mäkelä’s dynamic conducting style. Audience members were treated to a high-energy performance that left them cheering and applauding fervently after each selection. This enthusiasm reflected the orchestra’s commitment to Mäkelä, who at just 29 years old, is already making waves in the classical music scene.

In an inventive pairing, Mäkelä combined the Symphonie fantastique with Berlioz’s Harold in Italy, Op. 16, creating a rich narrative experience that spanned over 80 minutes. Both pieces, known for their emotional depth and spectacular orchestration, were executed with exceptional artistry. The CSO’s performance highlighted Mäkelä’s youthful verve, resonating with energy and creativity.

The evening’s centerpiece, Symphonie fantastique, is famous for its five movements, a departure from traditional symphonic structure. The slightly less familiar Harold in Italy was also a standout, featuring solo viola played by Antoine Tamestit, who returned to the CSO after making a successful debut in September 2024. Tamestit’s engaging performance included an unexpected entrance from the back of the orchestra, embodying the spirit of the wandering poet from Lord Byron’s narrative.

After a lengthy ovation, Tamestit delighted the audience with an encore—a vibrant rendition of Bach’s Cello Suite No. 1, demonstrating his remarkable skill and connection with the audience.

Mäkelä’s decision to conduct from memory allowed him to engage more fully with the musicians and the audience, further enhancing the concert’s impact. The evening featured surprising orchestral moments, such as a delicate duet between Tamestit and harpist Emily Levin, as well as the dramatic sight of four percussionists on eight timpani during the final movements of the Symphonie fantastique.

The brass section, particularly under the leadership of new principal trombonist Timothy Higgins and principal trumpeter Esteban Batallán, delivered powerful performances, while soloists from various sections—including English hornist Scott Hostetler and guest flutist Herman van Kogelenberg—shone throughout the evening.

As this thrilling concert sets the tone for the CSO’s season, audiences can anticipate more innovative programming and memorable performances. The CSO is poised to continue its legacy under Mäkelä, making every concert a must-see event for classical music enthusiasts.

Stay tuned for more updates on the Chicago Symphony Orchestra as they embark on this exciting journey with their new music director.